They barely have a few months left to fulfill tresoves on top of the tables And, as a prelude to such onomastics, they have decided to get a few raft -shaped. Not because Ron Lalá has shipwrecked in its purpose of successful The rich classic ocean of our literature. On the contrary. On this occasion, already cruise speed, they emerge more strongly than ever to inevit the drift of a new title for its already extensive trajectory: The distress.
Ron Lalá He immerses himself again in the classic to rediscover ourselves baroque Spain with a 'Refreshing Odyssey' whose alleged direction is none other than the New World. Such a company, narrated by two chroniclers (Miguel Magdalena and Luis Retana), is approached by a captain (Daniel Rovalher), a religious (Diego Morales) and a sailor (Juan Cañas) At the end of the 16th century, four years after the bitter defeat of invincible armed. Through these three characters, the public embarks towards an uncertain horizon that caricaturedly portrays that Spain, as glorious as denor.
As? As only is Ron Lalá knows: with its usual theatrical seal based on Humor, live music and a lot of energy with which they flood the scene from the dramaturgy of Álvaro Tato and of the direction of Yayo Cáceres.
The sharks, by tangos.
Tiramillas had the opportunity to talk to DThe survivors of this random wreck And, between adventures and misadventures, they told us how they face The launch of yourCarabela Ronlalera A few days after starting his journey through the scenic speaker.
“All premieres have the responsibility that this premiere requires. Whoever tells us that we turn 30 being practically the same …, that's something miraculous. The important thing and the prize in this profession is to keep youBecause it gives you The opportunity to have new audiences and tell new stories“, Daniel Rovalher starts, who plays Captain Galán, who confirms that right now they are at the time of shouting Earth in sight! and contrast with the public his work in 'The Distrushing'.
The 'conquest' of the verse
Many arrived in Ron Lalá believing that it was a company dedicated exclusively to the classics of the Golden Age. In fact, they tell in their repertoire with a golden trilogy (Golden Age, now; In a place of Quijote and Cervantina). But many other genres have played with so much or more success. Even so, and as Daniel Rovalher himself recognizes, they have a special link with the quartets and rounds.
“It sounds ugly, but I think we are good. We have found a very interesting, effective and rigorous key to update the classic; to put it in front of people and tell him that he can be fun without destroying anything. The formula is very good to connect, for example, with young people: to show them that The verse and rap is the same“, Compare the 'Captain' of 'La Distonista'.
We have found a very interesting, effective and rigorous key to update the classic; to put it in front of people and tell you that it can be fun without destroying anything
In this sense, it could be said that, beyond the uncertainty or even fear of facing prosaic siren songs, Ron Lalá always has a convincing and refreshing recipewithout spells of Fierabrás (or yes, why not), which makes him reach fruition.
“There is something that we have always believed above the concrete fashions of each of the historical moments: when one presents a theatrical and musical creation made with Mimo, quality, respectI think that happens over fashions. We try that what we offer is always very alive and honest. With that recipe, plus the work we dedicate and that, above all, it seems to us too funnyWe believe that the show will work, “describes Juan Cañas, our Fulano sailor.
The Higa
The 'puddle' and the gear
In the same way that his three shipwrecked ones, Ron Lalá have faced The challenge of crossing the puddle to have taken his show to the Americasamong other worlds, although without living the same misfortune journey, they recognize having lived it with some uncertainty.
“You always have the intrigue of how your way of working will fall there. I know how we work in Spain, our audience is here. But then you realize that, especially In Sudamerica, there is a passion and care for culture, and that is a fundamental element … But then you go to Dehli, that we version Don Quixote with English subtitles, and you saw that people also got excited. There is something in the literature that transcends the language“Acknowledges Daniel Rovalher, who assumes that, in the elaboration of this production, the gear has been almost perfect.
When one presents a theatrical and musical creation made with care, quality and respect, I think it passes over the fashions
With hundreds of nautical miles traveled, The premiere prior to the premiere, which will take place on June 19 at the Festival “Classics in Alcalá”has gone stern. You just have to see how they dive into the text Cañas and Rovalher. And what They have mounted this show in 25 trials. Although, as in the distrust itself, what it seems does not have to be, and perhaps we are only before the tip of the iceberg.
“It is very nice to see how that machinery is perfected over time. But We must add that to the first essay we arrive with a lot of advanced workand the fact of knowing how each one works individually and in a group way, makes us in just five days we can have a pass, with tweezers yet, of the show, “describes Juan Cañas, which assumes that, due to the degree of physical and vocal demand of the shows, it is essential to stay in good physical condition. “We take care of everything we can. Then it shows on stage.”
It is very nice to see how that machinery is perfected over time
“Lagotijas” soccer on stage
“'You move like lizards,' once a spectator told us. It's a good metaphor. There is a rhythm to print for 90 minutes. But our physical demand goes further. The tours are usually quite marathon and you cannot ask for change. We have had fibrillary breaks one day, and the other we had to play again because there was no substitute, “recalls Rovalher, who states that, contrary to what happens in some football stadiums, the theater is educated and friendly.
Contrary to what could be thought of, The members of Ron Lalá are, for the most part, football. In fact, both Juan Cañas and Daniel Rovaljer confirm that they even play Fantasy and are up to date on all football news.
“Julian's' double 'touch'? There you put us in a brete, huh (laughs). But joining this that has been created with the video barbitraje with the theater … I think it is complicated to use these tools to review the millimeter every occasion that, for example, how it is judged with our current parameters what happened at another time … It is difficult to find that midpoint too: about when we use that tool to correct a flagrant error or if necessary in cases such as the penalty of Julián, where The interpretation of whether it serves to review the hundredth something that can be natural“Reflects reeds.
“With this I think also The richness of spontaneity is lostof that little improvisation in which a human being says 'I have seen this, and I am doing my job and Pito Penalti'. In our trade, too We also try to return to the artisanal, to the rudimentary“Robvalher adds.
Derbi 'Patatil'
And what team would our three shipwreck be? Both actors seem to agree that the captain Hernán Galán It would be Real Madrid; The sailor So -and -so It would be from Atlético de Madrid. With whom there would be more doubts would be with Fray Pío…
“Continuing with the Madrid analogy, it would be ray, the ray pastor, besides. And if not, an Oviedo or an Osasuna could do well … LA CULTURAL … Thus, RECIA, CASTELLANA“, Juan Cañas and Daniel Rovalher suggest, concluding with a Deconstructed 'debate that surely units that remote Spain with this, ours, which is settled between classics and derbies. The potato tortilla: with or without onion?
