On July 29, WWE is going to launch the WWE documentary series: Unreal in Netflix. According to the official synopsis, it is immersed for the first time in the company's scriptwriters, where the drama is as intense outside the stage as under the spotlights. Likewise, it is promoted: «This program will even give the most staunch fans A look inside the wrestling league that they have never seen before».
► Jeff Jarrett sobre WWE: Unreal
Expectations are high but Some have doubts about production. We previously read a Jake «The Snake» Roberts And now “The Last outlaw” Jeff Jarrett:
«I think everything is in the edition. Do you know the Succession series? What are those parts called at the end when the credits and the actors are no longer acting, but giving real comments about scenes or the story? And then there is the screenwriter, the director and the creator of the series. I think Unreal is a version of that. And in many ways, it is the Hollywood version of all this.
My intuition tells me that the old ARI (Emanuel, CEO of Endeavor) and his team are earning a lot of money for everything they give to Netflix. I think Jake's comment (Roberts) when he says “damage” can be a bit strong. But I ask, what is the advantage? What is the true long -term advantage? Because we don't do magic, but Conrad, there is much … I just saw – while sailing, I saw the actor who played Kerry von Erich in the movie Iron Claw. He showed the physics of what we do and said: 'Holy Heaven, you have to act as well as doing the physical part, and also remember everything. You have to do this and that. ' I think it is one of the reasons why our type of entertainment has lasted so much. Because not everyone can do it. And definitely not everyone does it well.
So, The mentality is: 'Is this going to grow the product?' And you know, David Copperfield or any magician – you know there are exhibitions or 'How did they do the magic trick?', Or whatever. From a general point of view, he will attract hearing. How much? I don't think it's an overwhelming success. But the real advantage … I am not sure until I see an edition, I am not convinced. Without seeing the first edition, I would say that there is no great long -term benefit. I just don't see it, because people love to entertain and have that 'wow, how did they do all this? I am inside. '
And you know, I could give a lot of examples. But the spontaneous interaction you have, I think this can harm some talent without wanting. And I think that will be a side effect, that when you listen to certain creatives … I think there are things hanging. And you know, if we return to the time of the regional promoters: 'The announcers do not sell tickets. The referees do not sell tickets. Blah, Blah, Blah. ' Well, now, in these times, the screenwriters do not sell tickets. We can say all that. But Ryback's point is that everything is a great production. We all know. Like Hollywood blockbusters, or the Monday Night Football or the Sunday Night Football, they are great productions. But at the end of the day, let's see the finished project and continue enjoying – instead of worrying about how the cake was made.»
