Although it has not been seen in programming for a long time, Kevin Nash does not lose attention of what happens in WWE and regularly share your impressions in your podcast, Kliq This. For example, during the most recent episode the member of the Hall of Fame praise a superstar and criticize another while corrects the company.
► Cody Rhodes
“I notice small details when he works that they are very intelligent. As at first, when they go for a false end, he does not always make the typical one, two … and is released right in three. Sometimes one, two … and then released using the other hand. As is released using the shoulder and hand to push the opponent. And that transmits that it is not hurt enough to lose right there … It is that degree of credibility that shows that – yes, they knocked him down, but he is not even close to being defeated yet.
“I tell you something that I noticed when I saw it with use: I used this fucking move where he kicked him – Cody was sitting in the corner – and hit him a kick that made his head hit the corner. And on the TV he saw himself as if he had killed him. But since he was not part of the plan, he practically did not sell the blow. And I thought: 'If they had taken the time', with how advanced technology is now, they could perfectly have told the referee by the headset: 'Tell Cody to sell him with everything, that was incredible'. I don't know if that is viable, but at the time I saw him, I would already be in the headset saying: 'See it as if they had killed you!'
► Raquel Rodríguez
“Ra which the dio has rhea ripley a buen chokeslam. It bothers me because 'boy' always works. It becomes smaller. I see it selling it, and shrinks instead of staying upright and selling 'big'. How to move the hands in a certain way instead of simply falling, so you can go down to them. Because the more movements do you show that they are having to wobble to tear you down, the more credible it becomes, especially when you are much larger than them.
“You can work perfectly 20 or 30 seconds just staggering, and then the other person hits the strings, and there you think: 'There comes now.' And then, pum!, She raises her foot and cuts her. But Raquel doesn't give that space – it's working too much girl. And you need that. When someone tries to tear down and use more and more impulse, you eventually want them to use the strings. And that's when the 'high spot' arrives, which either you take the blow or, in this case, if you are obtaining 'Heat', you cut the advance of the opponent. “
